I can see some authentic and also affordable options which is always a plus!
I'm watching videos and taking it all in. Great feedback! A lot of good options to explore. Sorry about the slow response! I forgot to subscribe to get emails. Rack unit, pedals, anything that is of the right age price and results would be very helpful. the Zoom 9030 was an exception because the NIN Broken connection. I'm pretty much doing the <$100 budget on individual items like this. but these units go for anywhere between $200-300 which is out of my price range.
#Digitech gsp5 review generator#
distortion generator (no comp) and the sustainer which to my surprise has distortion in it. I have seen some rockman units like the metal ace (no comp). but that's not a done deal yet.Īll of this said (if you couldn't tell by the gear) I'm on a budget. I may be getting my hands on a hand me down from a friend that has humbucker pickups.
I mention this to give you some sense of what i have to work with, but yea I'd love to get a really tight heavy distortion. not a short drive so i'm trying to do my homework. I found someone selling a yamaha GEP50 locally that sounds ok from the one video on youtube i could find (it has dist/comp/limiter/etc) but i don't know for sure till i test it out in person. I own a yamaha GC2020 compressor I might experiment with, but i've read a lot of bad reviews, but i still look forward to testing it out to see if it works and what i can do with it. I also have a Digitech GSP5 which has better distortion, but no compressor in it. I currently own a ART Mach II which has distortion, but I'm not loving it. though line in is fine too and in some cases might be how it goes. this is what i was planning on running the guitar through and micing it. What I have right now is a Fender Quad tube amp which has no gain. but the unit was bad on ebay so I had to return it. I was trying to get my hands on a Zoom 9030 as I know this was used by NIN for Broken (though I understand he did a lot more to the sound with turbosynth, etc). the 90's happen to be when i acquired most of my used gear at the time so it wasn't too hard to already have a studio that mostly followed these guidelines (sorry Triton, you're out). 1994 is when the asteroids arrive to give you an idea. I'm working on a video game set in a post apocalyptic 1996. and I'm looking to get my hands on a good distortion effect for guitar. I have a project where I'm limiting myself to use only gear made in 1994 or older.
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